
Sergei Prokofiev (1891–1953)
Musical guide · Virtual Hall®
Hearing the orchestra afresh.
c. 1900–1950 · approximate boundaries
In the early decades of the twentieth century, concert music readily broadened its rhythms, its colours and its forms. It could be sparkling, tender, dance-like or sharp-edged: “modern” does not automatically mean atonal or forbidding.
After the First World War, the orchestra became a laboratory of colour, while dance, radio and cinema brought music to new audiences. Prokofiev and Britten chose a lucid path: letting every family be heard without reducing the imagination.
Peter: strings; bird: flute; wolf: horns.
Purcell moves through the families; a fugue follows.
Brass, woodwind and percussion recast the light.
A flexible landmark: modernity contains many aesthetics, from melodic clarity to more adventurous experiments in sound.

Sergei Prokofiev (1891–1953)

Benjamin Britten (1913–1976)
Virtual Hall® · Media partnerships